Monthly Archive for February, 2009

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DIWHY EXHIBIT

The last week has been quite a whirlwind of fun activities and nights out. It’s not often that I get to report about things outside the workroom, so it’s been a real treat. Especially since I got to meet some wonderful people and see some amazing art and design.

Thursday night was the opening for the DIWhy exhibit at the Ontario Crafts Council. The show includes 14 artists exploring the many facets of ‘doing it yourself’ and was put together in partnership with Toronto Craft Alert. The show is on until March 1st, so there is still lots of time to check it out for yourself.

You’ll likely recognize Becky’s security envelope project in button form and Shannon Gerard’s Boobs & Dinks project. Other highlights for me were Amanda McCavour’s detailed thread ‘paintings’ made on a sewing machine using Solvy and Miriam Grenville’s embroidery wallpaper.

That night I got to meet Mike and Bianca from Kid Icarus and Studio Number Nineteen. Funny thing is Bianca and I discovered that we have quite a lot in common, including the fact that we went to the same tiny high school in Scarborough!

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INTRODUCING : OLD WESTON HANDMADE WONDERS

I first met Kalpna (aka Ghost Face Knittah) when she attended a Church of Craft gathering and spent the afternoon crocheting one of her little bears. This was one of the first times I had witnessed the wonders that were possible with crochet. My next encounter was when she participated in the Spring Thing Trunk Show last year. Kalpna opened up her trunk and proceeded to set up a charming display on birch logs of woodland-inspired jewelry. (She had me at birch logs!) There was just no way I could resist one of her acorn necklaces. I’m excited to see what other wonders appear when her trunk pops open this Sunday at the Love & Rummage Trunk Show!

How did you start down the road to craft?

KALPNA : Starting to make things myself was a direct by-product of being an accessories-obsessed but pathetically poor teenager in Toronto. Weekends were spent pressing my nose up against the glass of all the great shops on Queen West, ogling the jewellery and bags and fun clothes. Sometimes I’d have the courage to go in and actually fondle something, marvel at all the components and details, but always left empty-handed. Everything changed when I discovered how accessible and affordable jewellery-making supplies were, and I started to hit the bead shops instead. As any crafty person can attest, making things is highly habit-forming, and I just kept looking for interesting things to string up and wear around my neck. Three or four years ago I decided to step up my game and took a beginner’s metalsmithing class with Tosca Teran at her studio. Besides teaching me the basics, Tosca made me realize how possible everything is, and I’ve been consulting her (and using her soldering station!) ever since. I’m excited that I no longer make things just because I’m too broke to buy them, but because the process of putting things together and selecting all the right bits has become so much more rewarding that just the mere acquisition of stuff.

What does the name Old Weston mean to you? Is there a story behind it?

KALPNA : Old Weston Road is my street, I’ve lived there for over twenty years. While I love it dearly and can’t imagine living anywhere else in the city, I’ll be the first to admit that it’s not a particularly pretty street. It’s busy and noisy with traffic all day and most of the night, and there’s no green space. Growing up on Old Weston Road meant no ball-hockey in the street (too many cars) or jump-rope on the sidewalk (too narrow) so as kids, my sister and I would wait until the liquor store directly behind our house closed for the day so we could play frisbee and badminton in its parking lot! Across the street is a Roman Catholic Church that shines brilliantly at Christmas, and six doors to the right is a gas station that gets held up about twice a month. When we first moved here in ’86, the house attached to mine was a record store/recording studio called “Classic Sound” owned by a serious Rootsman named Ozzy, which provided a killer reggae soundtrack to my intensely urban childhood – I swear it was straight out of an Ezra Jack Keats storybook!

All this to say that finding beauty and inspiration on the block was (and is) no easy feat, and also to explain what I feel is a hypersensitivity to the natural world and small, natural wonders (like acorns!). As a kid (and even now) my only interaction with anything other than a concrete landscape is an hour or two spent in High Park (which is luckily just a twelve-minute bus ride away) or in my small backyard, where stumbling upon a tiny mushroom, a magical clump of moss, or a strange little flower (more likely a weed) is a momentous event. I will never forget the awe of finding these “rare” treasures, and how I would bring them indoors and desperately hope for them to last forever, turn them into something I could grow, take care of, or even wear (I distinctly remember my sister calling me a moron after catching me trying to shellac the crap out of a daisy – an eight-year-old’s attempt at turning it into a pendant). I have Old Weston Road to thank for my fascination and appreciation for all things natural, and for reminding me that there are wonders hiding everywhere, in even the most drab environments. Also, I make everything in my bedroom (and in the dining room, kitchen, and basement), and so life on Old Weston Road assures me that it’s okay not to have a studio or fancy workspace – it’s proof that if you want it bad enough, a creative, crafty life can be maintained and enjoyed any old place. Old Weston is my ‘hood; it’s why I make the things I make; I hope to enhance it’s charm, one silver acorn at a time.

What/Who is inspiring you these days?

KALPNA : In keeping with my unofficial mandate of trying to fabricate portions of the natural world that I don’t experience enough of (or sadly, that I may never see at all), I am utterly beguiled by Helle Jorgensen’s blog – “gooseflesh” – which the lovely Angelune Deslauriers directed me to. Her crocheted sea creatures and coral are breathtaking, and I hope to crochet some sea urchins for my windowsill soon (I destroyed a small collection of them in a dusting incident over the summer). And, since I spend almost every waking moment of my life surrounded by books, I’ve become increasingly drawn to children’s book illustration (ha! Get it? Drawn?!) – all the OG illustrators like Leo Lionni, Richard Scarry, and Gyo Fujikawa, and contemporaries like Marc Boutavant and Sara Varon. I think it may be time to sharpen them coloured pencils!

What was the last book you read?

KALPNA : I actually haven’t finished a book in quite a while. I’ve gotten into the really bad habit of getting into too many books at once (just like craft projects, I think I’ve currently got about eight on the go) and working full-time at the bookshop only encourages this kind of non-committal reading since people expect me to know a little something about everything on the shelf. I think the last book I read in its entirety was Jeremiah, Ohio – a novel in poems by Toronto’s own Adam Sol. It’s about Jeremiah (you know, like the prophet from the Bible?) and a truck driver named Bruce who go on a road trip across America and deliver prophecies in strip-mall parking lots as they make their way to the promised land of New York City. It’s a great read – beautiful, funny, tragic, a little bad-ass. I’ve never read poetry with such plot development before. I like it!

Are you going to be selling some rummage at the sale? If yes, what??!

KALPNA : Oh, I’ve got rummage. I’m hoping to share my “Bombay stash” – crafts, supplies and mementos that I’ve collected during two visits to that city – particularly some handmade, Indian paper gift boxes and envelopes scored from Chimanlals (an incredible “paper culture” shop), some glass and wooden beads, as well as some wonderfully tacky brooches and accessories that have some serious Bollywood flava.

What Valentine gift would melt your heart?

KALPNA : It wouldn’t take much to make my heart melt – a couple cupcakes from The Cupcakery, a well-chosen book (no one ever gives me books), or a snowy romp through High Park. Oh, and there’s a new Morrissey album coming out soon, that would be a perfect Valentine’s gift.

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INTRODUCING : GIRL NUMBER TWENTY

I’ve been struggling for twenty four hours with how to properly introduce Marnie Saskin. Somehow I was trying to fit all the following words into fitting ode:

Lovely. Calm. Girl Number Twenty. Thoughtful. Playful. Cozy. Crafty. Etsy. Wise. Mama.

Your daughter seems to have a huge influence on your crafting, I’m sure you are inspired by her every day. How did your work and ideas change once you became a mother?

MARNIE : The work and ideas only blossomed after Safiya arrived, actually. Pre-Safiya I had been herded daily into an office cubicle, which is not conducive to craft, on many levels. I managed to churn out a couple of Christmas presents annually, but that’s about it. After Safiya, the thought came into my head, as it does with many people I suppose, that “wow. If I can do that, I can do anything!” A hesitancy about my life fell away and I started taking chances. Her energy just started to fill our home, and since being with her, being with kids, is so physical, there was a parallel in my creative life that started to make itself evident: the obsession with the texture of felted sweaters; that everything had to be washable and dryable and natural fibres; the need to be frugal with what I had around the house, yet heap up comfort and well-being simultaneously; all this became woven into what came off the sewing machine and out of my hands. She makes me laugh and she still has that un-self-conscience inner voice that we’re all born with that says “I am awesome!”; it hasn’t been quashed by anybody yet and I hope it never does. Being around that is contagious.

Does Safiya make request of things she would like for you to make her? What was the last thing you made specifically for her?

MARNIE : Um, dinosaurs? The list changes daily, and is usually accompanied with “you can sew that, right Mama?” I try to make those kind of projects collaborative. The last thing we made was a small, rudimentary, pink stuffed T-Rex, which she sketched on the felt first. We discovered that her craft scissors cut felt better than mine. I really need to get my scissors sharpened. The last thing I made as a surprise for her was a small wool blanket. We were hoping that she would bond with it because since she was a babe her favourite blanket has been a giant acrylic afghan that my grandmother knitted, which has its own suitcase when we travel. I am not kidding. I was so relieved when she loved the new blanket. Taking the bus out of town will be so much easier now.

As someone who works so hard to create the smallest possible footprint in this world – What are your goals for yourself this year? Do you have any tips for those of us who aspire to be more conscious of our impact?

MARNIE : I really want to find a way to either source or create fabric labels for my items that are created from either organic textiles or second-hand textiles, including the thread or printing dye. There has got to be a not-too-labour-intensive (and not too expensive) way to do that. Anybody got any ideas? That, and possibly shrink my footprint so much that I float around. That would be handy. {NOTE: Coincidentally this recent post provides some answers to Marnie’s question}

Everybody is engaged with their environmentally conscience side at a different intensity. I feel weird about giving tips, but it’s a good question, so maybe the best tip I could give would be to really let loose with the creativity. Seems redundant for this crowd maybe, but usually there’s a just-as-beautiful way of doing something using what’s already out there. Make connections. If you draw from nature in your art, make that connection between what you’re using for your supplies and how that impacts the beauty you’re trying to communicate.

What is your favourite soup?

MARNIE : Anything vegan. From potato-creamy to spiced-lentil to bright-summer-vegetable. I am definitely a soup kind of girl. Today’s was potato/caramelised onion/golden beet/rutabaga/carrot/saffron/chard. It was very yummy.

Are you planning on selling some rummage at the show? if yes, what might that be?

MARNIE : Definitely. Probably felted sweater wool scrap bags, and maybe some fat quarters from my stash, or slim ones, depending on the scrap situation. I’m working on some felted-sweater-seam balls of wool, and another supplies surprise. I love the idea of handmade supplies….

What Valentines gift would melt your heart?

MARNIE : Handmade wool felt slippers, preferably hand embroidered by my husband (no, he doesn’t embroider, but the idea of him with an embroidery needle….) The way to this woman’s heart is through her warm feet.
That, and dark chocolate.

All photos courtesy of Marnie Saskin (except photo #3 by the workroom)

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BOX CUSHION

I’m extra happy to check this project off My Crafty List of Things to Do. I’ve been wanting to make a box cushion dog bed for Maisy for well over a year. I had gotten as far as ordering a 10lb bag of organic buckwheat hulls from Northern Quinoa last November and then the project fell to the wayside.

When Erin approached me about doing some introductory upholstery classes, I knew the box cushion would make a great class and help kick start this personal project of mine!

I had originally wanted to make the cushion out of Denyse Schmidt’s Cheater Print fabric from her County Fair Home Dec line, but changed my mind last minute to this dark Tulip Medallion print from the same collection. This sweet little print has grown on me in the last couple months.

I really enjoy testing out new classes and being one of the students. It’s amazing how many ways there are to insert a zipper in your sewing. I love the version we did here and Erin showed us how to make a little pocket for the zipper pull to slide into. I now wish that I had chosen to do contrast piping. Lauren did and it really added another level of detail. I will definitely do that on my next one.

Each of us also made a muslin casing to cover the inside (foam, rice, buckwheat, etc) and make it super easy to care for and wash our cushion covers. This clever feature alone, makes me want to recover every box cushion I own.

At first Maisy was completely wary of her new bed and would hide when I called her over to it. Perhaps because I was so insistent that she get in it for a photo. I ended up laying out pieces of cheese all over it to get her to realize how great it really was.

As with Erin’s other class, the Upholstered Cube, I learned a lot of really great tricks that are going to come in handy for my future upholstery goals. When you look around, box cushions are everywhere! I have very lofty ambitions of doing a patchwork couch and I’m feeling like it just might be possible now. (kinda.)

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SPINNING LOVE & RUMMAGE

Becky

The weekend went by really fast! I hardly had a chance to realize it was here.

I spent Friday night hanging out with Becky at the workroom promoting the upcoming Love & Rummage Trunk show. This included having our photo taken in various “un-posed”/posed situations. Becky was smart and had props (balls of yarn), while I laughed nervously the whole time, not knowing what to do with my hands. The great part was chatting with writer Tabassum about all manner of things crafty and talking up all our fantastic vendors.

If you read the Toronto Star or if you are my mother, check out Thursday’s fashion section to see how the story spins out in print.

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