Monthly Archive for July, 2010

CHOOSING AMISH BARS

Karyn's Picks

I’ve been thinking about my fabric choices for the upcoming Amish Bars quilt camp. It should be easier to pick, since I really only need two fabric choices, but I can’t decide. I thought it would be fun to mock up some options and see what this quilt could look like. These were done rather crudely in Photoshop, but it helps to get a visual. Sometimes with quilts it’s hard to imagine how all those fabrics will look together. I still haven’t quite settled on a combination, but luckily I have a couple more weeks to play around with it and get it just right. I love the graphic simplicity of this design so much.

Fabric selections : 1. Karyn (Blue Geo Print with Cream Text) 2. Jerisse (Black Dressmaker’s Form with Mauve Bramble & Vintage Lady Illustrations) 3. Rosalyn (Nectarine Mini Check with French General Plaid) 4. Debbie (Ash Grey Fusions with Aqua French General)

Jerisse's Picks

Rosalyn's Picks

Debbie's Picks

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COLOURFUL FABRIC DRESS BOOK : T-SHIRT

Colourful Fabric Dress Book : T-Shirt

After the India Flint workshop, I was inspired to try doing a simple tie dye t-shirt. I used the super simple pattern from the nani IRO book, “Colourful Fabric Dress Book“. We have some lovely white organic cotton jersey at the workroom that was perfect for this project. I cut out the pieces (there are only 2!) for this project and wrapped some rubber bands around the sleeve area and the hem. I decided to forgo mordanting the fabric in order to get a softer result. The next time I dye this cotton jersey, I’ll try using milk as my mordant. (Awesome tip from India Flint!) I used a very exhausted logwood dye bath we’ve had at the shop for almost a year. Every time we do a Natural Dyeing class, I always get Julie to leave behind the logwood since I’m so in love with grey.

I absolutely love the soft dove grey colour of the jersey. I’m also really delighted with my tie dye experiment. I am definitely going to do more. I actually also tie dyed some other pieces of jersey at the same time to make a couple pairs of underwear.

The sewing for this project was merely four seams sewn on up on the serger. It couldn’t be any easier. I didn’t even do anything to finish the edges on the neckline, sleeves or hem. I thought of possibly doing some satin bias trim, but then I wanted to wear it right away. Maybe another day or perhaps I’ll save that for another project.

Colourful Fabric Dress Book : T-Shirt

Colourful Fabric Dress Book : T-Shirt

Colourful Fabric Dress Book : T-Shirt

Colourful Fabric Dress Book

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INDIA FLINT WORKSHOP

Fabric Bundles

A couple weeks ago, I had the honour of joining a week long workshop at the Contemporary Textile Studio Co-op with Australian textile artist, India Flint. India is world renowned for the magic she has created with natural dyes and her unique approach to imparting colour and foliage prints to textiles and paper.

Since taking our natural dyeing class last year, I’ve been wanting to do more, (I think about it all the time!) but somehow haven’t gotten around to it. Silly how that happens. The opportunity to spend a whole week playing with plants and fabric with India at the helm was just perfect.

We spent our days learning India’s gentle ways of collecting nature materials from florist or grocer garbage (with permission), going on windfall walks (collecting only what has fallen on the ground and not harvesting), learning about local weeds (plants that are in excess for picking) and looking in our own backyards. Even her mordants are made of milk (soy or cow), found scrap metals, pickle juice and aluminum foil from chocolate bars rather than hard and caustic metals.

India’s approach to dyeing was very freeing. We didn’t use a scale, a thermometer or a ‘recipe’ of any sort. We were encouraged to work on small samples (rather than dyeing 3 metres at once), mostly using silk and wool (protein fibres which take colour much more vibrantly). We lay our plant material directly on the fabric and then wrapped or folded it into tight bundles with elastic and string. We had several dye pots on the go, one with onion skins, one with iron scraps, one with who-knows-what. We would sometimes leave the bundles overnight and arrive in the morning to unwrap our treasures. The imprints we each got were truly remarkable. What a beautiful way to mark fabric.

We used the same process to dye paper that we had hand stitched to create a little book. Each student also spent the week deconstructing a men’s shirt to make a special work apron, which we also dyed and hand stitched our samples to. At the end of the week, we took a group photo wearing our aprons. So cute!

On the last day we gathered up all our favourite samples and took some time to admire each other’s work. It was amazing to see how much of our personalities was present in our dyeing samples. Such diverse results from working with mostly the same materials.

I’ve been reflecting on the experience ever since with much wonder. Thank you, India!

I took tons of photos during the week and I’ve posted them all on flickr here.

Learn more about India Flint : site : blog

India's Apron & Eucalytus Sample

Windfall from High Park

365 : 181

Silk Sample

Everybody's Paper Bundles

365 : 180

Wool sample

Wearing Our Aprons

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365 : JUNE

365 : June

365 : 152 | 365 : 153 | 365 : 154 | 365 : 155 | 365 : 156 | 365 : 157 | 365 : 158 | 365 : 159 | 365 : 160 | 365 : 161 | 365 : 162 | 365 : 163 | 365 : 164 | 365 : 165 | 365 : 166 | 365 : 167 | 365 : 168 | 365 : 169 | 365 : 170 | 365 : 171 | 365 : 172 | 365 : 173 | 365 : 174 | 365 : 175 | 365 : 176 | 365 : 177 | 365 : 178 | 365 : 179 | 365 : 180 | 365 : 181

I’m officially past the half way mark of this 365 project! I’ve been feeling like I needed to create a new challenge for myself with this project, so I’ve just ordered a new lens for my camera. It’s a Nikon 35mm f1.8. It’s my first prime lens and I can’t wait to get it this week! I’m always taking close up, detailed, macro-type shots. This should get me to step away from my subjects and get a new perspective. Also, maybe it will help me with taking more portraits!

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PATCHWORK PICNIC BLANKET

Patchwork Picnic Blanket

For one person out there, this post will present a little surprise. I made this patchwork picnic blanket as a gift for my friend Marie Beath. Surprise!! MB loves to picnic and is most deserving of a special blanket for which to do this on. Also, perhaps it would be good for outdoor re-readings of Harry Potter or Twilight novels?

The inspiration for the colours of this blanket came from some amazing ‘ribbon’/shoestring from Mokuba with all lovely shades of purple and grey. In fact, I bought three different colour ways of this awesome stuff and plan to make two more picnic blankets for two other girlfriends. This is a seriously fun gift to make.

The pattern was designed by Reva and features handy built-in pockets, along the ties to roll it all up for transport. I used a sturdy coloured canvas for the backing. In the class, we finish the blanket with embroidery floss ties to hold the two layers together. I opted to go the extra mile and ‘quilted’ on either side of all of the seams. (with variegated thread, of course!)

Lastly, my newly standard label. A tiny bit of patchwork attached to a hand embroidered label. I think I’ve actually turned making the label into a fun activity!

MB – let’s get together soon for a picnic and I’ll bring your blanket!

Patchwork Picnic Blanket

Embroidered Patchwork Label

Patchwork Picnic Blanket

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BUZZ SAW QUILT

Buzz Saw Front

I had technically finished my buzz saw quilt a little while ago, but had dilly-dallied in completing a label for it. In the few quilts that I have completed, I’ve made sure to carefully label them. (you know, for quilt historians 100 years from now)

This ‘ode to green’ quilt is absolutely perfect for our couch. It worked out to be just the right length. For the backing, I used a large swath of Denyse Schmidt’s wallflower in piney woods green. I just love this vintage-y print! I also used scraps from the front to create the stripe down the side. To echo the buzz saw points on the front, I cut the scraps on an angle. I machine quilted it with two different Valdani variegated threads and echoed the buzz saw pattern about a half inch around the inside and then the outside. I really like the effect this gives.

The binding is also made from scraps from the quilt. I find this most satisfying when I get to the end to use up leftover bits to make the binding.

For the quilt label, I hand embroidered using the dark variegated thread I used to machine quilt. To make the label a bit more interesting, I did a teeny tiny bit of patchwork and attached it to the end. Cute! I think I will always do this for future labels.

Yay! I can finally cross something else off my finishing list. Which is perfect timing because tonight I’m starting to make the Cog & Wheel quilt!

Buzz Saw Back

Variegated Valdani threads for machine quilting

Buzz Saw Detail

Patchwork Quilt Label

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