Some projects take a long time. A really long time. This project took about 5 years from start to finish. (and about 5 months from final photos to blog post!) The amazing thing is that I love it even more now then when I started it.
It’s not that this was a difficult pattern. On the contrary, Johanna’s method of doing the Double Wedding Ring Quilt simplifies the process so much. I loved this quilt so much, I really felt that I wanted to partially hand quilt it. The quilt ended up in the closet and got pushed to the bottom of my project list. I have learned to be careful with the projects that I decide to hand quilt knowing that it can really slow down completion.
Even still, I have no regrets on hand quilting this project. It really adds a lovely quality that just can’t be achieved any other way. I finished off the quilting by echoing inside the rings and continuing the ring pattern into the border on my sewing machine. I’m so happy with how the quilting turned out.
The fabric in this quilt are some true favourites. The kind of fabrics that that even today, I wish I had more of! Lots of Tula Pink ‘Neptune’, Anna Maria Horner ‘Good Folks’, and Anna Griffin grey lace for the background.
I almost forgot! I used wool batting for this quilt and it’s so lovely! The wool batting is more lofty and lightweight which is especially nice for hand quilting. I also just used some layers of wool batting to make a new bed for Maisy.
Feels pretty great to finish such a long term project. Feels even better to still be crushing on this quilt after all this time.
Looking back at my past posts on this project:
Double Wedding Ring Quilt Fabrics
Double Wedding Ring Arcs
Double Wedding Ring Blocks
Double Wedding Ring Update
Robert Kaufman : Chambray Union
I’m a sucker for a full skirt (especially with pockets!). Add that to a shirt dress and throw in some chambray and I’m in heaven. The Robert Kaufman Chambray Union collection has seriously infiltrated my wardrobe this year. I can’t help but want to make all the things with it. I keep re-ordering it for the shop and it keeps selling out. It’s just perfect for everything.
I’m pretty sure it was Johanna who pointed out this particular McCalls pattern to me last year and then ended up getting a hold of a copy for me. Thank you J!
There are so many great details on this dress. I really like the waistband and the gathered back detail. For the buttons, I decided to do covered buttons with the same fabric. Covered buttons are so easy to do and give such a polished look. I used Liberty Stanley for the little bits of bias binding on the arms and the pocket fabric. It makes me smile to see those bits.
The pattern was great to sew and fit me without any adjusting. I chose to do the sleeveless version, but there is a short sleeve option that I’m going to try next. I’m pretty sure I need a Liberty version of this pattern!
Cargo Duffle Bag by Anna Graham of Noodlehead (free pattern! from Robert Kaufman)
Main fabrics are Robert Kaufman Essex Yarn Dyed Linen in Navy & Black
Pockets, handles and interior lining are four different prints from the Indelible collection by Katarina Roccella
It’s been on my mind to try Anna’s Cargo Duffle Bag for a while. I love the shape, the exterior pockets and the contrasting fabric options. When I started to think of a wedding gift for my cousin, Sandra and her future husband, Ryan, it occurred to me that a pair of weekend travel bags was just the right thing. They spend a lot of time at the cottage in the summer, so I’m hoping these bags will get lots of use in all their future travels together.
I read through the pattern after printing it out and decided to make 2 little changes. I adjusted the pattern to be slightly wider. I followed the dimensions that Coconut Robot used for her version. I was really happy with the final shape, a bit more boxy than narrow. The other change I did was to add a lining. The pattern calls for denim or canvas that ends up being the lining, but I really wanted to have some fun printed fabric on the inside. Lots of people have also done this, but I went about it in a different way. Most people sew the lining separately together and then insert the lining into the bag at the end. I decided to try just adding the lining layer on top of the lining canvas and quilting it or basting it to the bag pieces as I went along. At the end, I just needed to bind all the inside seams. With the other method, you won’t need binding because the lining covers all the seams. My way was probably more work, but I was happy with how it turned out. I would be up for trying the other way with the lining the next time I do this pattern.
I’ve made a good many bags but somehow this is my first Noodlehead bag! That seems kinda silly since her bags are so incredible and Anna is such a sweetheart. I have a feeling there will be more and more Noodlehead bags sewn up over here. I started a Roadtrip Case a few months ago that I need to finish up. I’m also eyeing the Poolside Tote and the Divided Basket patterns. I found the instructions to be very clear and easy to follow. Making two bags at once gave me lots of practice to figure out the best way to approach each step. I especially love how the quilting of the pieces really makes the bags more sturdy and structured.
Sandra & Ryan got married last weekend. It was such a lovely weekend being with all my family and cousins. The perfect end was watching the two of them open up their duffle bags at their wedding brunch the day after.
Drape Drape 2 : Dress 2
Shibori Indigo Over-Dyed Bamboo Jersey in Putty
Fabric dyed in the workroom’s Indigo class
Natural dyeing fabric is always exciting. Indigo dyeing is extra magical because it is done in a fermentation vat and the colour appears when the fibre is removed from the vat and oxygen hits it. You literally see the colour change and appear as it is exposed to the air. I was hoping that our Bamboo Knit Jersey would work with Indigo and I was super excited to find out that it takes the dye perfectly.
I had originally wanted to make some Indigo dyed leggings, but I couldn’t resist looking for a dress pattern when I saw how beautiful the large piece of Bamboo looked with the Indigo overdyed on it.
With the success of my Bamboo Jersey Moneta, I was feeling ready to tackle some of the more simple patterns from my Drape Drape 2 book. The second dress in the book couldn’t be more easy! The pattern is cut from just a single piece of fabric with only two seams to sew. I did those seams on my serger and used my Maxilock Stretch Thread. I’m addicted to using this thread on my knit projects. I finished the neck line and arm holes with bias jersey binding and used my twin needle to top stitch the binding down. The book recommends just folding and hemming the armholes, but I prefer a bound finish. I also used my twin needle to hem the dress. (Regular thread through the needles and Maxilock Stretch Thread in my bobbin)
This is such a fun dress to sew and to wear. It’s really comfortable and looks more advanced than it really is.
Now that the workroom has all the Drape Drape books in English, I’m scouting for my next pattern. I know the idea of sewing with knits is a bit daunting, but once you get started you won’t want to stop!
Colette Patterns : Moneta Dress
Dark Grey Bamboo Jersey
When Lizzy House was here, we did very little sewing. Unlike last year when The Sewing Factory ran for a week straight. We did manage to make Monetas together. This was the perfect project, if we had to choose just one.
Our first step was to analyze everyone else’s version. This is a valuable step! We wanted to find out what problems people had with the pattern so that we could avoid them. There were two things we found. A lot of people complained about excess fabric under the arm. The other issue people talked about was the method used to add the clear elastic at the waistband.
When we opened up the pattern we saw right away that the side seam extended too far out when it came up under the arm. We simply straightened out that line by bringing it in about 1/2″.
For the clear elastic. We did not follow the pattern directions! I’ve heard so many people complain about the results they got by trying to stretch and sew the elastic into the skirt at the same time. We used the traditional method. We basted the skirt first with a long stitch on the sewing machine. We then gathered the skirt by hand. Then we just serged the clear elastic in place. One note about the elastic. The pattern calls for 1/4″ clear elastic, which is impossible to find. We used 3/8″ clear elastic that we just trimmed down to the right width before serging it in place.
For my version I chose to do the short sleeve with no collar. I lined the bodice with the same jersey as the rest of the dress and I really like the weight of it. I will definitely do that again for my next versions. We also used a different pocket. Lizzy had a great pocket pattern that attached to the waistband rather than the side seam, which seems much more stable on a knit dress.
To put the dress together we used a serger with Maxi-lock Stretch thread and Stretch 90 needles. I’m addicted to Maxi-lock Stretch thread for sewing with knits. I did a bit of testing and it definitely makes the seams more stretchy than regular serger thread. It also is super soft and gives nice coverage over the seam. Using a serger, the dress comes together really quickly. Both Lizzy and I made our dresses in one night sharing a serger and sewing machine. For all the hemming we used a stretch twin needle on my sewing machine. For this part we used the stretch thread in the bobbin and regular thread in the top.
The bamboo jersey is incredibly soft. Wearing this dress feels amazing and you never want to take it off. Probably the best thing to do is just make 6 more so that I can just have one for every day of the week. You can see Lizzy & I wearing our Monetas together here.
p.s. The next night Lizzy made a second version using fabric that she hand dyed in our Indigo class. It’s one of the best things I’ve ever seen.
Victory Patterns : Hazel Dress
Liberty of London : Umbria
I love a clever sewing pattern. The Hazel dress is one of those. I just love the way this pattern sews up, how the lining is added to make everything clean finished on the insides, that there is no zipper and the adorable bow! The pattern shows doing contrast fabrics for the top and the skirt, but I’m boring and love just using one fabric. Plus, I really love this particular Liberty Print, so I was happy to only showcase Umbria. To sum it up, this pattern is pretty awesome. So much so, that I used it to create a sleeveless shift version dress. I’ll post that one soon.
I’m pretty sure I’ll be making another Hazel with at least one of the new Fall 2014 Liberty prints that should be arriving this week!
Tom Ford shirting from Sultan’s Fine Fabrics
Me Made May just finished and I had a lot of fun re-visiting my handmade wardrobe with fresh eyes. I’ll be posting many items over the next few weeks that I was able to finally photograph in detail to show you a closer look.
This Wiksten Tova dress was made from a luxurious Tom Ford shirting fabric that I bought at Sultan’s. As soon as I spotted the roll, I knew I needed to make a dress from it. I especially love making a Wiksten Tova using any type of plaid or check because one of my favourite things to do is cut the yoke on the bias. I was also very careful when cutting out the pieces to match the pattern from the front to the back piece, especially since the pattern is so bold.
I’m not sure if there’s a limit to how many Tovas a girl can have, but I think I could still use a few more.
Grainline Studio : Scout Woven Tee
Linen from Sultan’s Fine Fabric, bias plaid trim from Sultan’s Fine Fabric
Colette Patterns : Zinnia Skirt
Robert Kaufman Chambray Union Light
Lined with Solid Grey Voile
Two for one! I love when a good outfit combo comes together. This red linen Scout Tee with the Chambray Zinnia is such an easy outfit to wear.
This is the first Woven Skirt Tee that I ever made, last summer. Looking at it now, I see that I need to add a few more of these to my summer wardrobe. I posted about my long sleeve Liberty version here. I made a couple small changes. Just brought in the side seams a bit for a better fit on me and added a few inches to the length. I’m going to make my next versions at the original length because I think it will look more flattering with skirts and shorts for the summer. For the binding on the neck, I couldn’t resist making a contrast bias tape using some plaid cotton shirting from Sultan’s. Those hidden details give me endless pleasure.
For the Colette Zinnia Skirt, I combined elements of version 2 and 3 on the pattern. I liked the shorter length and the pockets, but since I was using the Chambray Union Light, I also wanted to have a lining. I omitted the belt loops since I don’t ever wear belts. I would definitely make this custom version again. The skirt is very light weight and feels so soft. I can’t wait to wear it this summer without tights. All the pleats in the skirt are top stitched down. I love the way this looks. I was also very happy to find the perfect button for the back closure in The Button Dept. at the workroom.
Both these patterns are great for beginners and a breeze for experienced sewers.
My Me Made May month is going really well! I keep finding new clothes in my closet that need to be photographed, so there is now a queue of blog posts that I’m working on. You can keep track of my outfits on Instagram or see the collection here.
Victory Patterns : Roxanne Top
Liberty of London : Growing Fonder Tana Lawn Cotton
We’re halfway through May and if you follow me on Instagram, you’ll know that I have been doing the Me Made May challenge for this month. Me Made May is an opportunity for people who knit or stitch handmade clothing to celebrate their wardrobe. I am NOT sewing a new garment everyday! I’m using this opportunity to celebrate my years of building my handmade wardrobe. I’m also taking the opportunity to document newer garments that I’ve never really shared and to re-document some old favourites. I’m loving looking into my closet each morning with fresh eyes and picking an outfit to share with you.
This is my second Roxanne top. I just loved the other version and wanted to try the second option with sleeves and the tie. I decided to use the beautiful Liberty of London Growing Fonder Print. I love the detail of this pattern and the fine lines. If you look closely you will also see there are metallic accents here and there. It’s just gorgeous. I decided to do some extreme pattern matching for this tunic. When I was sewing this, I was also watching the Great British Sewing Bee and imagined Patrick Grant judging my work. He’s a tough cookie, but he would appreciate these fine details. This really inspired me to push myself! I was very careful to centre the pattern on the front , the back and also each of the sleeves. I cut each sleeve separately and made sure the pattern was identical on each one. I also made sure that the pattern lined up as you go around the top from front to sleeve to back. To be extra extreme, on the back, I carefully calculated so that the pattern matched up in the centre from the back yoke to the back bodice, ACROSS THE SEAM! No one will ever know, but even the facing on the front neckline perfectly matched the piece it was sewn to. This took a fair bit of time, but I really enjoyed the challenge.
The one little snag I ran into was just a result of me not fully reading the pattern. When you sew in the sleeves for this, you use a smaller seam allowance of 3/8″ rather than the 5/8″ that you use for the rest of the pattern. When I figured this out, it really made a difference on how the sleeves fit!
I love the drama of this pattern! When you wear it, the way the back flows out and the way the back hem curves down just feels so fancy and fun!
I’m collecting all my Me Made May photos here and I’ll be posting lots of new garments for the rest of the month!
I’ve known Alison aka Coriander Girl since I opened the workroom. She was the first friend I made at the shop. She took my very first Sewing Machine Essentials class. She kept me company over lots of lunches in those early quiet days. Soon after she opened the wildly successful flower shop, Coriander Girl. Now that we’re busy business ladies, we don’t lunch as often as we’d like, but we still make time for important catch up sessions (over scones with jam) and nights of guilty pleasures (The Bachelor!).
I was overjoyed to hear that she was having a baby many months ago. Even more so that it was going to be a girl! That gave me the green light to make her a pastel dream of a quilt. I decided to use the Fiesta Wall Quilt from Quilting Modern as my guide. The book sample is only 24″x24″, so I just doubled all the measurements and ended up with a quilt that was 50″x50″. I had so much fun choosing fabrics for this project. Using a palette of apricot, linen, white and aqua I went through our recent arrivals and my stash to pull these cheerful prints. Besides all the florals (of course), I also snuck in several different bunny prints that I knew Alison would love finding.
The quilt was fun to sew. I really recommend the pattern and really the whole book. I’m very inspired by the projects in Quilting Modern and have bookmarked a few more of them for future projects. I hope to make more improv style quilts this year, so this was the perfect start to that.
This project was also really fun to quilt. I decided to do a random straight line grid. I’ve fallen in love with the Clover Hera Marker and it makes straight line quilting so quick and easy. I love being able to mark my quilts without the use of tape or any kind of mark on the fabric. The Hera Marker simply makes a crease on the fabric that is very visible that you can sew over. No need to worry about your marks damaging your quilt or not washing away.
Alison’s baby shower was yesterday at her sweet church house in Frankford, Ontario. It was a beautiful day, filled with gorgeous flowers, handmade gifts, delicious food (tacos & trifle!), happy tears and a room full of ladies who love Alison. It was perfect.
More photos of Alison’s shower are posted here.