Archive for the 'etsy' Category

Page 3 of 3

13 DRESSES : DRESS 9

Dress 9

Dress 9
Stylish Dress Book (available at the workroom)
Dress ‘F’ : Kaffe Fassett ‘Red Lotus’

The Stylish Dress Book is definitely my favourite Japanese dress pattern book so far. Almost all of the dresses in this book are super sweet looking – all in that Japanese smock aesthetic that I’m not totally convinced translates into the real world. I’m game to try it out though and so far I like it. The cool thing is that these dresses never have zippers and the construction is super simple.

I started working on this dress a few months ago. Most of these books come with a sheet or two at the back where all the patterns (sometimes 20 or more) are printed over top of each other. It definitely takes a keen eye to locate your pattern pieces, but usually they are numbered or lettered. What’s interesting is that you begin to realize the all the dresses are based on just four main templates with slight variations in sleeves, necklines, and silhouettes. I traced out my chosen pattern and headed on to cutting out fabric, serging and sewing it all together. Everything was going swimmingly until I attached the sleeves. Suddenly the dress didn’t fit in the shoulders and the sleeves didn’t have the proper fullness and ease I would expect. I thought that I had chosen a size too small. I figured I would try to re-draft a new sleeve pattern to compensate and perhaps add some fabric to the shoulders.

Dress 9

The project was put aside until I read this posting on The Purl Bee about Japanese patterns. Guess what? Most Japanese dress patterns don’t include seam allowance! If you’ve been following along, you’ll know that this is not my first seam allowance debacle. Once I read that, I knew exactly what went wrong with this dress. I re-examined the fit and tried to figure out if there was a was to fix the problem. I was heartbroken once again, but decided to abandon the sleeves. I got out my trusty bias tape maker and made some bias tape to finish the armholes and called it a day on dress 9.

I think I’ll try this pattern again one day because the sleeves are so incredibly cute. It actually is the perfect shift dress and that Lotus print is happy-making. All’s well that ends well.

I promise, no more accidental sleeveless dresses.

There’s a great on-going series at Label-Free on Japanese Craft Books. There are even translations of some of the common symbols that is very helpful. Thanks Anabela for the tip.

The Golden Yard has started a worldwide google map of fabric stores. It’s a collaborative project and anyone can add their favourite fabric stores to the map. It’s a great resource for when you’re traveling to new cities. {via True Up}

Dress 9, originally uploaded by the workroom.

Share

PIN BOARD PERSEVERANCE

Reading piles of crafty/designy blogs everyday leads to lots of saved bookmarks of things to try out. Making a fabric-covered pin board and fabric-covered thumbtacks has been floating near the top of my mental ‘crafty projects list’ for over a year.

The main problem has been sourcing out the paper board that most people in the States use as the base, homasote. Homasote is a recycled paper board that is used in construction and apparently makes ideal pin board material, as it can be covered or even painted. They had never heard of it at my local Home Depot, Rona or Home Hardware. I contacted Homasote directly trying to find out who they sold it to in Toronto. I was given the name of a place in Rexdale, who carries it in 4′x8′ sheets, but can’t cut it down. The distance and the logistics of it were too discouraging.

Recently, I decided to give up on the idea. I thought I would just go get a ‘regular’ cork board from Staples and just stain it dark grey to keep it from looking too much like a ‘regular’ cork board. I swear, I read somewhere that you can stain cork. Well, when I stained the cork board it started bubbling all over. What! I hauled it down into the basement and put it under some piles of drywall and tiles hoping that the weight over a couple weeks would flatten the whole thing out again. No such luck. I had ruined a perfectly ‘regular’ cork board.

Why was I settling for ‘regular’ anyways?

Every once in a while, i amass a huge list of errands on my day off that necessitate the use of a Zipcar. I went for the biggest car you can get, the Honda Element, so that I could drive around town and just load it up with goodies. After a bit of googling, I located another building supply place in Markham that not only carried the board, but would cut it into manageable pieces for me. The ironic thing? It’s the same building supply place that used to be around the corner from me, literally. I used to be able to walk over, borrow their dolly and haul huge sheets of wood home on my own. I was devastated when they closed that location down. I made the long drive up the DVP and I finally got my Homasote and got to have a little reunion with my old building supply pals.

The rest was a piece of cake. The boards were cut down to 2′x4′. I used two of them for the back of the shop. I have to give credit to Debbie who did all the patchwork and thumb tack covering. They look so sweet!

As for the hanging – always get advice if you don’t know what you’re doing and use the right tools! My guy at Home Hardware set me up with these amazing ‘flush mount hangers’ that can be screwed into the back of the board and then a matching one into the wall and they slide into each other. These are perfect for hanging anything large. He also set me up with the perfect drill bit, anchors and screws.

Here’s the tutorial on doing the pin board and also the fabric-covered tacks. Otherwise, buy one on etsy from Shim and Sons and save yourself the drama.

For me, it was worth it. I feel total satisfaction over conquering this craft challenge. Plus, I have enough Homasote to make a couple more boards.

Now – Any ideas on what to do with a bubbly cork board?

ADDED NOTE: I’ve had so many people ask about where I got my Homasote, so I’m posting it here. If you happen to find another location in the Toronto area, post it in the comments, tons of people are looking to find it!

Rosebank Wholesale Lumber
905-477-4011
186 Old Kennedy Road, Markham, ON L3R0L5

Flush mount hanger & finished pin board

Share

INTRODUCING : TINCTORY

Briar necklace by Tinctory

One of my very favourite daily reads is Creature Comforts. Ez has great style and she has a special knack for pulling many elements things together into a perfectly pretty package on a daily basis. I’m always sure to fill my eye candy quota with a visit to her blog. A few weeks ago she posted about an artist that I haven’t been able to get out of my head, Tinctory.

I’ve spent lots of time already just looking through Tinctory’s flickr page, not only are her pieces absolutely intriguing and unique, but her photographs are incredible. I had to know more and so a new feature is born on this blog, “Introducing”, a chance for me (and you) to learn more about someone especially inspiring.

The woman behind Tinctory is Eva, who lives in the UK. All her jewellery is made entirely by hand and goes through an intensive process that includes the embroidery technique, smocking. What I hadn’t realized about smocking was that it is functional, as well as decorative. It was developed in the Middle Ages and is used to gather fabric so that it can stretch. Long before there was fantastic elastic, there was smocking. When I look at Eva’s pieces I really feel she has captured a historical essence in her interpretation of this age-old technique.

What is the meaning of tinctory?

EVA: Tinctor means ‘dyer’ in Latin. I don’t know if it’s a legitimate word but tinctory could mean ‘a place where things are dyed’. I picked it as a name for my Etsy shop when I thought it would sell mostly fabrics dyed with plants. The direction has changed since then but I’ve kept the name.

What is your creative background and what do you do for a living?

EVA: My interest in textiles started with a silk painting kit I got as a birthday present years ago. That lead me to dyeing, batik and shibori, knitting and most recently smocking. Most of what I know about textiles comes from books and experimenting. Craft is my only job right now and a lot of the time I feel there aren’t enough hours in the day. Hats off to people who have a day job, manage to make things, run a shop while maybe looking after a family as well.

What inspired you to start making these amazing smocked pieces of jewelry?

EVA: I was looking for a textile technique which would create permanent texture on natural fibres and require minimal space and equipment. Smocking was the perfect answer because a piece of fabric, needle and thread are all that’s needed. When I learnt the basics I played around with shapes and stitches until I was pleased with the result.

Thanks so much, Eva! I’ll be ordering one of your necklaces as soon as I can decide on just which one I love the most.

Silver Crest Ring by Tinctory

Share